Design Competition 2017 Poster Background

GIA Design Competition 2017: Migratory Matters

遷徙與再生—消逝地景的採集與創造(Migratory Matters: Reworking Memories in Mattau)


2017 |秋| 交大建築所期初競圖&展覽

競圖出題/ 陳宣誠老師

  • 國立臺南藝術大學藝術碩士、藝術創作理論博士
  • 中原大學建築系專任助理教授
  • 創作實踐與理論實驗室(ArchiBlur Lab)主持人
  • 順天建築•文化•藝術中心藝術顧問、策展人

地點/ 交通大學人社一館大廳
評圖日/ 2017.09.21 10:00~14:00
展覽/ 2017.09.21-2017.09.29



  • 陳宣誠(中原大學建築系專任助理教授;創作實踐與理論實驗室(ArchiBlur Lab)主持人;順天建築.文化.藝術中心藝術顧問、策展人)
  • 林友寒(behet bondzio lin architects事務所主持建築師;曾獲頒德國十大年輕建築師獎;2012威尼斯雙年展台灣館策展人)
  • 凌 天(東海建築系專任講師;曾任教美國康乃爾建築系、實踐建築系)
  • 秦雅君(國藝會資深專員;藝術評論;曾任典藏•今藝術ARTCO主編、副總編輯)


  • 專任老師:侯君昊、曾成德、龔書章、張基義、許倍銜、何震寰
  • 兼任老師:侯貞夙、湯博鈞、曾 瑋、溫家榮

NCTU GIA Competition 2015: Miniature Rooms


The theme for this year’s competition is ‘Miniature Rooms’, focusing on how architecture can be reinterpreted from a microcosmic perspective. By treating the box as a project and as a site, the ‘Miniature Rooms’ are intended to re-think the exhibition culture of architecture and to confluence how contemporary architecture can be constructed, curated, and exhibited in the broader cultural landscape. The autonomous space contained by the box suggests a mobile room space that is non-place, timeless and scaleless. Candidates are allowed to freely reimagine the box in terms of scale, time and space. The sensation and cognition of space can continuously mediate between the three back and forth. Architecture can be significantly miniaturized and projected to the box-room space through the means of curation and exhibition. Depending on the display methods of the box device, the physical boundaries of the box can generate various spatial parameters, as in the forms of walls, tables, mountains, reading-machines, books…etc. The program of the architectural design can be considered within the range of a gallery, museum, exhibition space, archive space, depository, library, Renaissance ‘Studiolo’ and even ‘Box of curiosity’. Two parallel competition phases will be taking place simultaneously as follows:

Phase I – The Ecstasy of Influence To collect inspirational found objects from the city. This will build up a collection of ‘The Ecstasy of Influence.’ The objects can range from daily found objects to artifacts as the inspiration of an architect. All these found objects will then be the collection of display objects curated by the architectural design. The collection of objects can be 1to1 but also can possibly be copied, miniaturized, and even plagiarized according to the design concept and to be compacted into the mobile room space.

Phase II – Miniature Rooms To construct the architectural devices shown on the list as the basic parameters of the mobile room space. By treating the Miniature Rooms as design sites, the mobile room space of the boxes will then be curated and designed architecturally so as to exhibit and display the collection of ‘The Ecstasy of Influence’.